Analysis Of The Opak Abang Dance As A Symbol Of Kendal Regency Identity Through Costume Design With Objective Aesthetics

Authors

  • Suparti Suparti Universitas Selamat Sri, Indonesia
  • Agus Triyono Universitas Dian Nuswantoro, Indonesia

DOI:

https://doi.org/10.38035/dijemss.v6i2.3779

Keywords:

Identity Symbol, Opak Abang Dance, Costume Design, Objective Aesthetics

Abstract

Opak Abang dance is the identity art of the Kendal Regency community, as a local culture that has historical importance. The form of Opak Abang dance costume design includes, headband, long shirt, kolor pants, songket cloth, white socks, sampur, belt / slepe, ear fan, sash, sunglasses. The research focused on “analyzing opak abang dance as a symbol of the identity of kendal district through costume design with objective aesthetics” using a qualitative approach. Data analysis techniques used in this research are data reduction analysis, narrative analysis, and content analysis. Data collection in this study through observation, interviews, documentation and audio-visual materials. The results showed that the design in Opak Abang dance as a Symbol of Identity of Kendal Regency has meaning and is formed from different elements through the balance of design components, thus creating an aesthetic and attractive visual unity with a combination of harmonious patterns, terns, color contrast and texture. The results of costume design research in Opak Abang Dance which is a typical art of Kendal Regency have meaning and are formed from different elements through the balance of component design, which makes an aesthetic and attractive visual unity with a harmonious blend. Innovation in the process of making costumes for Opak Abang Dance Kendal Regency has a relatively simple and unique form. The design is formed as an illustration of the story of heroism and the spread of Islam in Kendal Regency

.

References

Adams, J. F. (2024). Teaching Costume Design And Costume Rendering: A Guide For Theatre And Performance Educators. Taylor & Francis.

Ahrens, R., & Quabeck, F. (2021). Symbolism 21: An International Annual Of Critical Aesthetics (Vol. 21). Walter De Gruyter Gmbh & Co Kg.

Angela, N. (2022). Pusat Kesenian Dan Budaya Kabupaten Kendal Dengan Pendekatan Desain Arsitektur Regionalisme (Doctoral Dissertation, Unika Soegijapranata Semarang).

Astuti, E. Z., Ernawati, A., & Arifin, Z. (2023). Identitas Budaya Jawa Pada Mural Di Kampung Batik Kota Semarang. Jurnal Riset Komunikasi, 6(1), 80-92.

Atiqa Sabardila, Dkk. 2022. Mengorek Masa Lalu Menggali Jati Diri: Kajian Budaya Ke-2. Muhammadiyah University Press. Surakarta.

Dasher, J., Koscielniak, L. M., & Shimon, J. (2023). Bringing Set And Costume Designs To Fruition: Made By Teams. Focal Press.

Imanina, A. N., Jannah, D. N., Arvianto, B., Susitaningrum, I., & Hartanu, D. A. (2024). Mengembangkan Budaya Jawa Terhadap Kebiasaan Masyarakat Desa Wisata Jungsemi, Kecamatan Kangkung, Kabupaten Kendal, Jawa Tengah. Jurnal Kepariwisataan, 23(1), 106-113.

Isi-Ska.Id.’2019. Filsafat Estetika. Journal Of Chemical Information And Modeling, 53(9), 1689–1699.

Jacob Sumardjo. 2000. Filsafat Seni: Seni Sebagai Bentuk Bermakna, Hal-124, Penerbit: Itb.

Jazulli, M. 2014. Sosiologi Seni: Pengantar Dan Model Studi Seni, Edisi 2 (Issue June 2016). Graha Ilmu. Yogyakarta

Kurniawan, A., & Hidayatullah, R. 2016. Estetika Seni Rupa. Http://Repository. Lppm.Unila.Ac.Id/Id/Eprint/39095

Miranita Khusniati, Dkk. 2022. Kajian Etnosains Dan Etnoekologi Dalam Budaya Jawa. Pustaka Rumah Cinta. Magelang

Ningrum, D. L. P. I. (2024). Menganalisis Bentuk Desain Ornamen Pada Kostum Tari Remo Gaya Surabayan Dengan Estetika Objektif. Ornamen, 21(1), 101-118.

Novalita, P., & Pramutomo, R. M. (2018). Tari Opak Abang Sebagai Simbol Identitas Masyarakat Kabupaten Kendal. Greget, 17(1).

Prasojo, E. A. F. 2020. Perancangan Fasilitas Pertunjukan Tari Kreasi Baru Di Kabupaten Kendal. 17–18. Http://Repository.Untag-Sby. Ac.Id/Id/Eprint/4987%0ahttp://Re Pository.Untag-Sby.Ac.Id/4987/2/Ab Strak.Pdf

Pratama, I. K., & Ulfa. 2018. Pengembangan Kurikulum Muatan Lokal Tari Opak Abang Sebagai Langkah Pelestari An Kebudayaan Lamongan Pada Jenjang Sekolah Menengah Pertama.Jurnal Kajian Teknologi Pendidikan, 1(Mor 2), 103–108. Http://Jour Nal2.Um.Ac.Id/Index.Php/Jktpp/Arti Clee/View/3665

Sa'ati, Z. L., & Indriyanto, I. (2022). Estetika Bentuk Pertunjukan Tari Kuda Lumping Satriyo Wibowo Kecamatan Kranggan Kabupaten Temanggung. Jurnal Seni Tari, 11(1), 1-11.

Sugiarto, E, & Lestari, W. 2020. The Collaboration Of Visual Property And Semarangan Dance: A Case Study Of Student Creativity In ‘Generation Z’. International Journal Of Innovation, Creativity And Change. Vol. 10. Issue 12. Semarang: Universitas Negeri Semarang. Retrieved From Www. Ijicc.Net

Sutrisno, M. (Ed.). 2022. Meniti Jejak-Jejak Estetika Nusantara. Pt Kanisius.

Timmerman, B. Y. (2023). Aplikasi Estetika Urban Melalui Konsep Resonansi Tradisi. Bookchapter ISBI Bandung.

Tunggal, H. H. W. M. C., & Eny. K. 2019. Estetika Beksan Srimpi Mandrarini Di Pura Mangkunegaran. Vol.8 (1). Journal Unnes. Semarang: Universitas Negeri Semarang. Retrieved Https://Journal.Unnes.Ac.Id/Sju/Index.Php/Jst/Article/View/30632

Van Wengen, G. D. (2024). The Cultural Inheritance Of The Javanese In Surinam (Vol. 19). Brill.

Video, P., Boran, T., Mengenalkan, U., Tari, S., Usia, R., Dinamika, U., Download, A. V., Text, P., & Restricted, A. V. 2021. Ta: Perancangan Video Tari Opak Abang Sebagai Upaya Mengenalkan Seni Tari Lamongan Kepada Remaja. 2021–2024.

Wibowo. B.A & Miswanto. 2022. Budaya Masyarakat Jawa Kuno Dalam Catatan Prasasti. Jakarta.

Williams, W. L. (1991). Javanese Lives: Women And Men In Modern Indonesian Society. Rutgers University Press

Zaenuri,A.,&Wahyu, L. 2019. Seni Pembebasan: Estetika Sebagai Media Penyadaran. Jurnal Unnes. 9 (1). Semarang: Universitas Negeri Semarang. Retrieved From Https://Journal.Unnes.Ac.Id/Nju/Index.Php/Harmonia/Article/View/663.

Zerbib, D. (2021). Aesthetic Theory. Critique D’art. Actualité Internationale De La Littérature Critique Sur L’art Contemporain.

Downloads

Published

2025-01-04

How to Cite

Suparti, S., & Triyono, A. . (2025). Analysis Of The Opak Abang Dance As A Symbol Of Kendal Regency Identity Through Costume Design With Objective Aesthetics. Dinasti International Journal of Education Management And Social Science, 6(2), 1496–1512. https://doi.org/10.38035/dijemss.v6i2.3779